Welcome to the Official site of Hammond/Piano/Synth Player/Composer & Producer Nick Steed
This site contains upto date news, biography, discography, gig schedule, videos and contact info, hope you enjoy!
Nick is a freelance keyboard vocalist based in Stockport, South Manchester, specialising in Jazz, Rock and Blues and performing all over the UK and Europe.
He is a highly regarded musician who has been recognised for his songwriting and producing by international artistes from Lenny Castro (Toto, Al Jarraeu, John Mayer), Lil John Roberts (Snarky Puppy), Francis Dunnery (It Bites), Mike Lindup (Level 42).
Nick is also an official artist of the following musical instrument manufacturers :
Nord Keyboards Sweden, Kurzweil Music Systems USA.
Nick is also proud to endorse by Lounsberry Pedals USA
Appearances and performances with the following artistes include: Lenny Castro (Toto, Al Jarreau, John Mayer), Colosseum, Clem Clempson (Humble Pie, Jack Bruce), Malcolm Mortimore (Gentle Giant), Mark Clarke (Uria Heap, Mountain), Chris Farlowe(Thunderbirds, Atomic Rooster), Norman Beaker, Sonja Kristina (Curved Air), Pete Brown (Cream Lyricist), Steve Ellis (Love Affair), Van Morrison, PP Arnold, Mollie Marriot, Corky Laing (Mountain), Gary Husband (Level 42/Jack Bruce), Dennis Chambers (Santana/Parliment funkadelic), Steve Hackett (Genesis), David Sancious (Sting), Blue Weaver (Bee Gees), Ginger Baker, Lulu, Jeff Berlin, Trevor Horn, Cliff Bennett, Johnny Mars, Zoot Money, Shakatak.
As well as band touring work Nick performs as a solo piano vocalist, performing all over the UK.
Header photo courtesy of Aleksandra Pruenner - www.aleks-photo.com
Interview with Synth & Software magazine
Interview with German Newspaper 'Nordwest-Zeitung’
Interview by Klaus Fricke
NEW COLOSSEUM WEBSITE CLICK IMAGE BELOW FOR MORE INFO
LATEST SOLO ALBUM & SINGLE RELEASE
the album features close musician friends from Clem Clempson, Greg Morgan, John Sandham, Steve Gibson, Peter Mason, Kim Nishikawara also Mike Smith & Jamie Brownfield from the 'Air Horns' and back on percussion Lenny Castro.
The new single from the album called 'Luckless pedestrian' is available on all digital outlets, you can listen HERE or click the above image.
The new album is available on Apple music & Amazon or can be purchased on CD LINK HERE: https://py.pl/24kcSk
Recent review's from top German magazine 'Good times' & UK Magazine BluesMatters
GOOD TIMES MAGAZINE
'Master of keys with Colosseum for three years now, Nick Steed’s reputation was founded on jazz rockers Optimystik Visionaries – in their stylistics, his solo debut truly impresses. The fact that Steed flourishes in the orbit of Toto and Steely Dan gets hit home further by hiring their percussionist Lenny Castro. And it’s truly filled with Steed’ s sophisticated song ideas: “Yesterday’s Blues“ lures us into a nostalgic atmosphere by “standing on the corner of Blue Note“. All of this is characterized by Steed‘s clear voice und self-created backing vocal work, where you think you’re listening to at least three ladies. Background is provided by the warm horn section of Mike Smith and Jamie Brownfield ; drummers Greg Morgan and Steve Gibson follow each riff as if hypnotized. The skillful pianist picked evenly matched sparring partners for solo masterworks from his main band: Clem Clempson & Kim Nishikawara feel obviously provoked into achieving top levels on guitar and sax respectively. Heights in catchiness are reached – as well as the elaborate half-time-Shuffle “Luckless Pedestrian“ (the single) – and the beautiful “Suzie“, who is “heading for the big time“! (Playbyhead Records, 8 tracks)' utw (Goodtimes)
BLUES MATTERS MAGAZINE
Nick Steed’s newest release follows his illustrious tenure as the Master of Keys at the Colosseum band for three years. These eight tracks are nothing short of a musical revelation. Steeped in the rich traditions of jazz, rock with a defined blues infused tone, Steed's album echoes the brilliance of legends like Toto and Steely Dan. What sets this record apart is his ingenious songwriting ability, evident in tracks like Yesterday’s Blues, which effortlessly transports listeners to a nostalgic Blue Note corner of a night club full of ambience and atmosphere. His vocals are crystal clear, complemented by his self-created backing vocals that astoundingly mimic a choir of three, a masterful innovative moment. The addition of percussionist Lenny Castro, famed for his work with Toto and Clapton, further solidifies the album's authenticity. The ensemble's synergy is palpable; Mike Smith and Jamie Brownfield's warm horn section, along with the rhythmic mastery of drummers Greg Morgan and Steve Gibson, create a harmonious backdrop. Steed's choice of collaborators for solo performances is a work of genius, with Clem Clempson and Kim Nishikawara delivering exceptional guitar and saxophone solos, respectively. Tracks like Luckless Pedestrian showcase intricate shuffles, demonstrating Steed's musical finesse. Moreover, the album achieves heights of catchiness, exemplified by Things You Said I Would and the poignant Suzie, a tale of someone destined for greatness. This is a masterclass in musicality, a testament to his artistry, and a promise of even greater things to come.